Paranoid Crime Punkrock

When punk then good!
long as we did not have to think what would we do,
but the implementation was a hard piece of work.
Since each from a different layer of the music comes from metal to pop
It was initially a bit of a muddle.
The samples seemed pointless to the rhythm be dieing
and liked it for all of us do not really.
But over time the feeling and the will come through stronger and stronger.
We separated the chaff from the wheat overnight, and in recognizing a style
appealed to all. A few notes here had to, text, and some power.
The concept was and everyone was more than he could.

Here, our patient families, be thanked every step
have witnessed as a toddler
and it just as our decisions respected.

Many thanks to the ambition in each of us
and especially to you behind the monitors
which are so numerous pilgrimages to our website,
that we had to change providers,
because the traffic has almost put the server Lahm.

Your airline Punrkock Paranoid Crime is available to you any time
and wishes you a pleasant journey

We thank Jim Jack John and Bob

PunkRock GERMANY

Punk [pʌŋk], even punk rock, punk rock or punk rock, a genre of rock music in the mid-1970s in New York and London, has emerged along with the subculture of punk. After the punk music became popular, they later split up in different styles, with all its subcultures. When punk concerts developed for music activities such as Pogo and stage diving.
Contents


    * 1 Style Features
    * 2 Social Aspects
    * 3 Development of punk
          o 3.1 beginnings of Punk
          o 3.2 evolution of punk
          o 3.3 Effect on other styles
    * 4 sources
    * 5 Literature
    * 6 See also
    * 7 External links

Style Features

Punk music is characterized by minimal instrumentation, consisting of guitar, bass, drums and vocals and the simplicity of the compositions, which can be captured by the slogan "three chords appropriately. The sound is overdriven guitar amplifier with high tempos and shaped a rough voice. The lyrics convey sometimes political or nihilistic content. Instrumental intro before the actual songs are purely instrumental pieces as well as difficult before. Occasionally, the singer speaks words of introduction, or accompany the intro with famous quotations. According to John Holmstrom was punk rock "Rock 'n' roll of people who had no great abilities as a musician, but still felt a need to express themselves through music." [1]
Social aspects

The punk subculture is defined by the rejection of bourgeois values and social rules, and the rebellion against it. Punk music in its original form was a raw, coarse form of rock 'n' roll and therefore dissociated itself from the artfiziellen progressive rock as well as the disco culture. Tommy Ramone said in this connection: "In 1973 I knew that what is needed is pure rock 'n' roll without the bullshit" [2] According to John Holmstrom, a caricaturist of punk magazines, "punk rock had to come along because the rock scene, so tame made was that acts like Billy Joel and Simon and Garfunkel as a rock 'n' roll was called, while standing for me and other fans, rock 'n' roll meant this wild and rebellious music. "[3] In addition, rejected this subculture" the political idealism and Californian flower-power silliness of hippie myth from [4], as a music journalist Robert Christgau. Patti Smith however, suggests in the documentary 25 Years of Punk that the hippies and the punks were linked by a common anti-establishment mentality. Some punk musician, not only rejected the mainstream rock and from its related culture, but also the most popular pioneers of the music industry. Thus, The Clash, proclaimed: "No Elvis, Beatles or Rolling Stones should be in 1977" (no Elvis, no Beatles or Rolling Stones in 1977). [5] this year, which is associated with the emergence of the British punk scene, both musically and also culturally a year zero. [6] In this sense, also included in the year 1980 and the time recorded retrospectively treated Song 80 German punk band Artless the lines: "We wanted to go new ways / We could be heroes of old."
Development of punk
Beginnings of Punk

In many punk-rock-papers is mentioned as the time of emergence of punk, the year 1977. In that year, the Sex Pistols (and the Ramones and The Clash), their breakthrough. However, long before even playing garage bands, especially from the environment of CBGB such as The Stooges (proto-punk) in New York, see the new style. The early punk bands were playing simple, mostly short songs. About the debut album by MC5 example, Lester Bangs wrote that most of the pieces were different in their primitive two-chord structures scarcely be separated. [7] Thus, about half the songs on the first Ramones album are shorter than two minutes, with in the usual rock 'n' roll-chorus-verse pattern in 4/4-time and often rough, more shrieking than singing voice. The following generations broke some of these structures for their music, new descriptions were minted.
Evolution of punk

The programmatic approach of simplicity, the self-image as a brilliant dilettante brought the punk music in its early days, although a great boost, resulting in the subsequent period, however, to ensure that musicians are joined with a little creative potential of the movement. Thus the commercialization and appropriation of went hand in hand as a fashion trend. 1970er/Anfang the late 1980s, split into different genres of punk, one of which retained some of the aggressiveness of the music and the attitude and still be associated with the punk, but others have so far removed from its origins that they will no longer be considered subgenres of punk. In essence, may subsequently three styles can be distinguished:

    * Bands that have remained faithful to the musical credo, and in their statements became increasingly political, such as The Clash and later the hardcore punk movement.
    * Bands, the punk increasingly staged as a show, like the Sex Pistols or the Ramones.
    * Artists, which evolved into other musical fields, but the idea of punk as counterculture took over as New Wave and indie bands.

At this time, inter alia The Oi!, a music style, which is also popular among skinheads, the hardcore, anarcho-punk, folk-punk, psychobilly and the Death of the Rock. Death Rock punk influences mixed with glam and hard rock and heavy metal elements. Furthermore, also created the glam rock-influenced gothic rock, which has, however, in contrast to Deathrock also incorporated elements of psychedelic rock. Created some of the new varieties, because the old bands of the next generation too commercial and too much dominated by the major labels or not radical enough. Some bands turned to other genres of music, which led to a split in the scene and to rivalries between the representatives of different styles.
Influence on other styles

Influences of hardcore and the anarcho-punk in turn, can be found in Thrash Metal, in the Crust and Grindcore, and also in Metalcore.
Sources

   1. ↑ McLaren, Malcolm, "Punk Celebrates 30 Years of Subversion", BBC News, 18 August 2006. Accessed on 17 December 2006.
   2. ↑ Ramone, Tommy, "Fight Club", Uncut, January 2007.
   3. ↑ McLaren, Malcolm, "Punk Celebrates 30 Years of Subversion", BBC News, 18 August 2006. Accessed on 17 January 2006.
   4. ↑ Christgau, Robert, "Please Kill Me: The Uncensored Oral History of Punk by Legs McNeil and Gillian McCain" (review), New York Times Book Review, 1996. Accessed on 17 January 2007.
   5. ↑ Harris (2004), p. 202.
   6. ↑ Sabin (1999), p. 101.
   7. ↑ MC5: Kick Out the Jams review by Lester Bangs, Rolling Stone, 5 April 1969. Accessed on 16 January 2007.

References

    * Mark Andersen, Mark Jenkins: Dance of Days. Two Decades of Punk in the Nation's Capital. Akashic, New York, NY 2003, ISBN 1-888451-44-0 (English).
    * Peter Belsito, Bob Davis, Craig Lee and Shreader: Hardcore California. A History of Punk and New Wave. Last Gasp of San Francisco, Berkeley, CA 1984, ISBN 0-86719-314-X (English).
    * Martin penitent: If the kids are united. From punk to hardcore and back. 6. Reprint. Valve, Mainz 2003, ISBN 3-930559-48-X (first edition for triangular-Verlag, Mainz 1995 ISBN 3-930559-19-6).
    * IG dirt on paper (Eds.): No future was yesterday. Punk in Germany. Archives of youth culture, Berlin 2008, ISBN 9,783,940,213,457th
    * Legs McNeil, Gillian McCain: Please Kill Me The uncensored history of punk. Narrated by Lou Reed, John Cale, Patti Smith, Iggy Pop, Debbie Harry, Willy DeVille including Hannibal, yards 2004 (Original Title: Please kill me - the uncensored oral history of punk, translated by Esther Breger, Udo Breger), ISBN 9,783,854,452,379th
    * Craig O'Hara: The Philosophy of Punk. The story of a cultural revolution. 1. Reprint. Valve, Mainz 2001 (3. edition 2004) (Originaltitel: The philosophy of punk, translated by Edward Viesel. Among al. Kiola of Nordsieck), ISBN 3-930559-72-2.
    * John Robb: Punk-Rock. The story of a revolution. Paperback Heyne, Munich 2009 (Original title: Punk Rock: An Oral History, translated by Martin penitents, Chris Wilpert), ISBN 978-3-453-67550-6 (German edition: Punk Rock, the whole story, valve, Mainz 2007, ISBN 978-3-931555-76-4 - Original English: Ebury Press, London 2010, ISBN 978-0091924676).

See also

    * Punk in Germany
    * Punk label (category)
    * Punk bands (category)
    * Portal: Punk
    * Portal: Rock music
    * The Roxy



    * Allschools Network (one of the oldest German webzines in Punk-/Hardcore-Bereich)
    * Extensive database on punk rock concert
    * Full list of German punk bands
    * List of German punk bands with more info
    * Biographies of important punk bands of the early